Wirecast play 6 full#
Whether you’re looking for just a straight three camera cut and dissolve production, all the way up to 12 (or even more) camera, full graphics packages (lower thirds, etc), audio mixes and multiple output destinations I’ll use the example that I had earlier of a church service. WHAT IS WIRECAST?įor those of you who don’t know, Wirecast is designed to be, basically, a production hub for you to create live productions that will be output to file, or directly to the web, based on your needs. So, I probably should point out for all my Mac friends out there that Wirecast 14 is supported on Mac’s running Big Sur with only a couple of minor issues, however, as of this writing, Wirecast is NOT supported on Apple Silicon based Macs, so if you just purchased one, you’ll have to wait a little bit before installing and running Wirecast, in a Telestream supported workflow.
Wirecast play 6 upgrade#
To upgrade the Studio version from versions 4-7 to current will run you $299 and to upgrade the pro version from the same, 4-7 to current will run you $399. I also want to point out there there is an upgrade path that’s not readily apparent from the Telestream website, but you can find on resellers pages like Videoguys. The cost difference is $599 for the Studio version and $799 for the Pro version, so as you can see the upgrade from Studio to Pro version won’t break the bank. If you’re looking at having more than two guests (standard with the Studio version), then definitely look at the Pro Version.
Wirecast play 6 iso#
To be honest, the biggest feature is the ISO records, but something that’s very important for me to point out about this is that the ISO feed records are for hard wired source feeds only, and doesn’t apply to Wirecast Rendezvous feeds. We’ll be talking about the Studio version in this article, and you can check out the additional features for the Pro version in the image below.įor the most part, what you’re looking at with the Pro version is 7 remote guests via Wirecast Rendezvous guest conferencing, Pan/Tilt/Zoom camera control, audio effects, instant replays and virtual studios in the Pro version, as well as some advanced output options. I normally start out with cost right off the bat, as i can write a whole review, just to turn people off with the price at the end.
There’s a new version of Wirecast, version 14, that hit the market a little while ago. I watch a church service in Toronto every Sunday morning in a massive cathedral with nobody in it, and I have no doubt they are using Wirecast, as they can send their 4 static cameras into a computer, and create all their graphics, elements, etc, and create a polished end product each and every day.
It’s ability to take your camera’s and really any input device, and turn it into a source for a “one person production studio”, has really changed the way we can work during COVID. With the need to have less and less people involved in productions, and have more physical distancing, products like Wirecast have really come to the forefront. While many products in our industry have remained more or less the same, some have really stepped out into the spotlight.
0 kommentar(er)
